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28
Apr
2017

While Carolyn and her ensemble of dancers tendu and leap their way through final rehearsals leading up to the annual gala celebration tonight, it takes a small army to bring this special performance and event to life led by a hardworking Gala committee and office staff! From the immediate tasks of seat selections (making sure the right people are seated next to the right people), final design of the Virtual Ad Journal, selling the few remaining theater tickets to selecting the menu, securing auction items and volunteers for the evening, we also look towards the individuals who have made a significant and/or long-term commitment to the Carolyn Dorfman Dance organization. Their contributions are honored each year with special awards given by the company recognizing their talents and commitment to the arts!

Here is one of the three 2017 recipients:

Horacee Arnold

Meet Horacee Arnold, one of the best-known jazz fusion drummers in the world, who will receive the Keystone award on Friday evening. Not only has he performed and recorded with Charles Mingus, Bud Powell, Stan Getz, Alvin Ailey, Chick Corea and Return to Forever, he is also the composer of TWO works on our gala program, Dance/Stories and Sextet. Although Arnold gained recognition while recording and touring with Chick Corea during the late 1960s, it was his two critically acclaimed releases – Tribe (Columbia, 1973) and Tales of the Exonerated Flea (Columbia, 1974) that earned him five-star ratings from critics and a loyal following of fans. In the late 1970s, with drummers Billy Hart and Freddie Waits, Arnold formed the performance-based jazz ensemble, Colloquium III, which led workshops at the New York Drummers’ Collective.  In the early 1990’s Horacee began his relationship with Carolyn Dorfman Dance, and composed two works that highlight energy, rhythm and power both in music and dance.

Sextet

Photo by Whitney Browne

Premiered in 1994, Sextet challenges the dynamic and technical range of the dancers. With images of quick darting actions and suspended moments at its core, the work follows an accumulation form, progressing from duet to trio, quartet, quintet and finally, the full ensemble.

Two years later, Horacee returned to the studio to help Carolyn Dorfman create Dance/Stories, which premiered in 1996. This work integrates a selection of folk tales from around the world—the narrative, movement, and composition by Arnold illuminate our common humanness, weaving together image and metaphor to create an enchanting and interdisciplinary work.

Dance Stories

Photo by Whitney Browne

Thank you Horacee for helping to bring our vision to the stage.

“The truest expression of a people is in its dance and in its music. Bodies never lie.”- Agnes deMille

See you Tonight!

29
Mar
2017

Carolyn Dorfman Dance is holding auditions for our 2017-18 Touring Season, including creation of new work, performance and teaching residencies.

  • Full-time, Part-time positions available
  • Paid rehearsals, performance, and teaching
  • Non-union, 30+ week contract.
  • Rehearsals are held in NYC.
  • Legal work status required.

Seeking male and female dancers with strong modern dance technique, bold athleticism and theatrical range. Women should be between 5’2-5’7 tall. Men should be minimum 5’6” tall. Hispanic, bilingual men are especially encouraged to audition. Minimum 2 years previous professional experience preferred. Dancers called back will be asked to perform a short solo.

Dancers interested in auditioning are encouraged to attend open company class on select dates in April. Class will be taught by Carolyn Dorfman at Gibney Dance Studios (890 Broadway, New York, NY). Information can be found online here or gibneydance.org.

DAY 1

Tuesday, May 2, 2017
Slot 1 -12:30 – 3pm or
Slot 2 – 3:30 – 6pm

Gina Gibney Dance Studios
890 Broadway, Studio 4
New York, NY 10003

CALL BACKS

Wednesday, May 3, 2017
12:00 – 6:00 pm

Gina Gibney Dance Studios
890 Broadway, Studio 4
New York, NY 10003

FINAL CALL BACKS

Thursday, May 4, 2017
12:00 pm – 6:00 pm

Paul Taylor Dance
551 Grand Street
New York, NY 10002

Dancers seen by appointment only. Must be available all 3 days. For an audition appointment, email kprata@carolyndorfman.dance with the following: resume, headshot, email, phone, Day 1 audition time slot preference, U.S. work status, and how you heard about the audition.

Carolyn Dorfman Dance is an equal opportunity employer

30
Dec
2016

Dear Friend,

Growth and inspiration have been the hallmarks of the past year for Carolyn Dorfman Dance. Support from donors during our 2015-2016 season has allowed us to add on a dancer, expand our touring in 2016-2017 and increase educational and outreach programming in schools and communities nationally and internationally.

Although 2016 is coming to a close, it’s not too late to support our new board initiative, the DEPTH Initiative.East Brunswick student

DEPTH, Dance that Empowers People To be more Human, a new outreach initiative, was launched at our 2016 gala. It will enable Carolyn Dorfman Dance to reach more schools and communities with limited resources by enabling us to bring our program to their students and arts audiences at a reduced rate with underwriting from the DEPTH Initiative Fund.

The Board has set an ambitious goal of raising $25,000 annually to help underwrite education and community outreach programs that we want to support.  We have set a goal of raising $13,000 by the end of December.

With your donation, Carolyn Dorfman Dance can bring our vision of unifying people through dance into schools and communities that might otherwise not be able to afford to pay the full cost of a performance or dance company residency. This is a subsidized program, enabling Carolyn Dorfman Dance to offer a reduced fee for its programming through the DEPTH Initiative Fund.

The arts help people make meaning of their lives and strengthen understanding of how we are more alike than we are different – this vision has always been a hallmark of Carolyn Dorfman Dance – and is needed now, more than ever.

Your donation helps pay for our ability to tour and to teach internationally in countries such as Sarajevo, Bosnia and Herzegovina, or nationally in Omaha, Nebraska from January 16-20, 2017.

Link Community Charter SchoolYou allow us to maintain and grow our educational programming: we are entering our 14th year as the modern dance company in residence for the New Brunswick Public Schools; 8th year as the dance company in residence at the National Blue Ribbon schools – Union County Vo Tech Academy of Performing Arts and East Brunswick School district; and 3rd year as the lead dance company in residence for the arts education program at the New Jersey Performing Arts Center (NJPAC).

We were honored this past year to receive a Citation of Excellence from the New Jersey State Arts Council (NJSCA) recognizing our long time commitment to providing high quality arts education. This award provides three years of grant funding to expand our residency programming in the New Brunswick Public Schools and to start a new residency at the Link Community Charter School in Newark.

With your support, as well as the support of others, Carolyn Dorfman Dance can offer another year of breathtaking performances, artistic creation, and educational programming.

Please make a donation now at cddc.ejoinme.org/donate. Thank you for allowing us to bring the joy of dance to so many young people and audiences.

Sincerely,

 Anita  Carolyn
Anita Thomas, Executive Director Carolyn Dorfman, Artistic Director

 

Carolyn Dorfman Dance is a 501 (c)(3) not-for-profit corporation, as defined by the Internal Revenue Service. All donations are tax deductible in accordance with IRS regulations.

22
Aug
2016

Another great NJ SummerDance intensive has come and gone. We are proud that you survived a tough week of sore knees, bandaged toes, sometimes wounded egos, to experience a wonderful week of dance, reflection, and exploration.

Whether it was in technique class, repertory, or the master classes with talented choreographers/dancers Tiffany Rea-Fisher, Juel D. Lane and Barbara Angeline, we loved having the chance to work with an incredible group of hardworking, highly motivated students.

We hope to see many of you at our upcoming masterclasses, residencies and performances.

Special Recognition for our generous donors who provided funding for NJ SummerDance Scholarships:

Robin and Russell Aubrey, Jordan and Noah Dorfman, Eric Freidman, Kathi R. Levin, Alan and Melanie Levitan, Ali LoConte Memorial Fund, Susan and Richard Matthews, Martha Mensch, Dr. Harold Pollack, Reynolds Landscaping, Russell Schiafo Construction, Gayle Weiss, and Sheldon and Rhoda Whitman.

Carolyn Dorfman Dance would like to also extend a SPECIAL THANK YOU to our corporate sponsor, Stop&Shop, New York Metro Division and Super Stop&Shop of Union for their consistent support since 2011,

Stop & Shop

as well as ShopRite, Target, and Costco of Union Township for providing refreshments.

Shop Rite Target logo Costco logo

We’re so grateful to the following people for their consistent support of Carolyn Dorfman Dance and NJ SummerDance 2016:

Kean University General Administration Staff especially Luis Martinez, Associate Professor of Physical Education, Recreation and Health; Jessica Adams, Department Chair; Valerie Winslow, Director of Conference and Event Services; Gina Lampasona, Managing Assistant Director, Conference and Event Services;

All Stars Project of New Jersey Summer Intern Shadaisha White, sponsored by Kevin Cummings, President/CEO of Investors Bank;

and the Carolyn Dorfman Dance Board of Trustees.

14
Aug
2016

Meet one of our 2016 Guest Artists for NJ SummerDance!

Guest Artists Master Classes are included in full registration, as well as at a drop in rate of $30/each. Email Stephanie Cathey, scathey@carolyndorfman.dance, to sign up and confirm availability. Click here to learn more about NJ SummerDance.

Juel D. Lane, “Movement as a Voice” – Contemporary Technique

Wednesday, August 17th at 3:00 to 5:00 pm

Juel D. LaneNJ SummerDance 2016 welcomes guest artist Juel D. Lane, dancer with Camille A. Brown & Dancers, choreographer, and former Carolyn Dorfman Dance company member.

Juel’s contemporary class will explore a technique based on rhythm, alignment, physicality, precision, and articulation, with an emphasis on understanding the full body in an exciting and organized way with the goal of self-expression as a dancer.

 

About Juel D. Lane

JUEL D. LANE is an artist from Atlanta, Ga. He is a graduate of Tri-Cities High School, former member of The Youth Ensemble of Atlanta, and holds a BFA from the University of North Carolina of the Arts.

Alliance Theatre Credits: C.A. Lyons Project,  I DREAM (Assistant Choreographer).  

Regional: SPUNK (True Colors Theatre- Choreographer),  Rob Jackson’s, Rebirth (The Fox Theater, Atlanta-Choreographer), STAGGER LEE, Dallas Theater Center, Associate-Choreographer).

Mentions:Cover of  May/June 2015 Dance Studio Magazine, Dance Magazine “25 to Watch” (2013),Creative Loafing, Arts Atl( Atlanta).

Professional Dance Companies:Andrea E. Woods Souloworks and Dancers, Carolyn Dorfman Dance, Ronald K. Brown Evidence,  Helen Simoneau Danse, and currently with Camille A. Brown & Dancers.

Commissions: Atlanta Ballet, North Carolina School of the Arts, Wake Forest University. 

Dance films: “Just Another Day” and “How to Kill a Ghost”, “Made of Matter”, “When The Beat Drops.”

Lane was recently awarded to participate in the 2015-2016 Alvin Ailey Dance Foundation New Directions Choreography Lab under the direction of Alvin Ailey artistic director Robert Battle.

 

11
Aug
2016

Meet one of our 2016 Guest Artists for NJ SummerDance!

Guest Artists Master Classes are included in full registration, as well as at a drop in rate of $30/each. Email Stephanie Cathey, scathey@carolyndorfman.dance, to sign up and confirm availability. Click here to learn more about NJ SummerDance.

Tiffany Rea-Fisher, Intermediate/Advanced Modern Technique

Tuesday, August 16th at 3:00 to 5:00 pm

Tiffany Rea-FisherNJ SummerDance 2016 welcomes guest artist, Tiffany Rea-Fisher. Tiffany is the newly appointed Artistic Director of Elisa Monte Dance, a New York City based company.

Tiffany teaches a technique informed by Pilates, Yoga, Modern and Contemporary styles of movement. The class emphasizes full bodied movement, transitioning through space, spinal flexibility as well as timing and the dancers’ relationship to music. The class integrates the development of the dancers’ individual style with the demands of the choreographer and choreography. The class offers excellent training for intermediate to advanced dancers. 

About Tiffany Rea-Fisher

Tiffany Rea-Fisher is the Artistic Director of the New York City based internationally acclaimed modern dance company Elisa Monte Dance. Tiffany joined Elisa Monte Dance in 2004 where she was principal dancer until 2010, performing lead roles in such classic works as Treading, Pigs and Fishes, Shattered and Volkmann Suite.  She was named Dance Magazine’s “On the Rise” person for their 2007 August issue based on her performance during the company’s 2006 season at the Joyce Theater and since then has been featured in nation and international publications for both her dancing and choreography. As a choreographer Tiffany has had the pleasure of creating numerous pieces for the company most notably meeting and having her work performed for the Duke and Duchess of Luxembourg.

Tiffany’s work extends well beyond the stage creating work for the film, fashion and the music industry.  In 2012 Tiffany was chosen to create a new work for the Louis Vuitton / Reconstruction 3.0 Life is a Journey project.  In 2015 Tiffany choreographed Transcendence, a dance film for fashion designer Paola Hernández 2015 fashion week runway show.  Paola and Tiffany collaborated on a live fashion, dance film event for Paola’s line for winter 2016.

Teaching is a big part of Tiffany’s position and she has since taught master classes and workshops at The Ailey School, City Center, Dance New Amsterdam, Dickinson State University, George Mason University, Juilliard, NYU Tisch, Peridance,  SUNY Purchase, and Wells College . Currently she is on faculty at the Joffrey School of Ballet and a substitute teacher at Steps on Broadway.

In 2009 Tiffany and her husband started the non-profit Inception to Exhibition (ITE) which supports NYC-based arts in the fields of Dance, Theater, Music and Film through monetary grants and performance/exhibition opportunities. Tiffany’s current affiliations include Purchase College Alumni Association, MFIT Board Member, Women of Color in the Arts Member, Dance/USA Member, Steps on Broadway (substitute teacher) and Purchase College (substitute teacher).

Tiffany Rea-Fisher received her BFA from the Conservatory of Dance at Purchase College SUNY.  While at Purchase she co-founded ForArts, the school’s first interdisciplinary presenting organization, which provided opportunities for students from different conservatories to create collaborative works. In 2004 Tiffany created, directed, and curated Dance at the Tank. She left the Tank in 2007 and currently serves on their advisory board.

15
Jul
2016

Meet one of our 2016 Guest Artists for NJ SummerDance!

Guest Artists Master Classes are included in full registration, as well as at a drop in rate of $30/each. Email Stephanie Cathey, scathey@carolyndorfman.dance, to sign up and confirm availability. Click here to learn more about NJ SummerDance.

Barbara Angeline, Theatrical Jazz Dance

Thursday, August 18th at 3:00 to 5:00 pm

Barbara AngelineExpressions that illuminate any stage, precision marked with pizzazz and all the enthusiasm of a Broadway production! Theatrical Jazz distinguishes itself from the more familiar jazz dance forms. Drawing inspiration from Bob Fosse and encouraging the truest form of self-expression from each dancer will be the goal of this summer’s Theatrical Jazz master class.

NJ SummerDance 2016 welcomes guest artist, Barbara Angeline, Instructor of Dance Arts, Mason Gross School of the Arts (Rutgers University). Under the unique instruction of Barbara Angeline, students can look forward to immersing themselves in a choreographic learning process that holds true to the depth of American jazz dance.

Barbara’s accomplished work, Rhapsody, presented itself as a stunningly cohesive partnership between the style of George Balanchine and the influence of Bob Fosse. The importance of individuality presses on, especially in our age of highly marketable trends and instantly gratifying portrayals of the ‘ideal’ lifestyle. Leaving lasting impressions is what it’s all about. As an audience member it is energizing to watch jazz numbers; with electrifying confidence accompanying each step, jazz dance vividly celebrates self-expression.

Under Barbara Angeline’s well-rooted leadership in the classic American technique, NJ SummerDance students will have the opportunity to learn what it takes to sculpt their personal styles of expression, while still executing the legendary styles of Bob Fosse and Jack Cole.

During the 2016 NJ SummerDance program, students will be encouraged to explore movement technique in efforts to understand and answer questions like, “How do I craft my own style of performing while still capturing the essence of traditional theatrical jazz?”. This summer the dance studio will serve as a space for both historical education and choreographic experimentation.

About Barbara Angeline

Barbara Angeline is the founder and Artistic Director of Hysterika Jazz Dance. HJD is a jazz dance company dedicated to expanding the legacy of jazz dance as an American art form with a rich and powerful history. The company’s first performance took place in Fall 2014, when the company premiered Mi Maschera (Mask Me), an original jazz dance work that illuminated the use of Venetian Masks in the Baroque Period as it related to issues of gender bias and explorations of female identity. HJD made its New York City debut in two concerts, premiering a new solo, N’est-ce Pas Si Bon? at the Artists in Flight Showcase and reconstructing eat Crow at the Salvatore Capezio Theater for the New York Jazz Choreography Project.

Barbara’s historical collaboration process has been used in many of her choreographic works, including: “Rhapsody” – choreographed in the style of George Balanchine; “Tightrope” – choreographed to immerse performers in the significant contributions of Bob Fosse; and “eat Crow” – inspired by the movement style, performance quality and history of Josephine Baker. In 2014, Barbara presented her process in a workshop titled “Jazz Dance Choreography – Historical Collaborations with Dance Luminaries” at the National Dance Education Organization’s conference in Chicago. She also created and facilitated a jazz dance panel at the conference that gathered jazz dance educators from around the country to discuss “Jazz Dance in Higher Education and The Professions: Where Do We Go From Here?”

As a performer, Barbara has been featured in Broadway Backwards 5 at Lincoln Center’s Vivian Beaumont Theatre (soloist), Broadway Backwards 6 at the Longacre Theatre (dance captain) and Broadway Backwards 7 at the Al Hirschfeld Theatre. Credits also include: The Oakland Ballet Company (soloist), Broadway Bares, The Gypsy of the Year Awards, featured roles in Equity musicals–The Wizard of Oz (National Tour), Oliver, On the Town, Joseph…, Carnival, Seven Brides for Seven Brothers—five years inarial the Radio City Music Hall Christmas Spectacular, and dance captain and adagio feature for The Radio City Easter Spectacular. Barbara has worked with Woody Allen, Jerry Mitchell, Graciela Daniele, Bob Bartley, Bernadette Peters, and Aretha Franklin.

Barbara holds an M.A. in Dance Education (New York University) and a B.A. in Dance (UC Irvine). She is a full-time Instructor of Dance Arts at Rutgers, teaching Broadway Jazz Technique, Jazz Dance, History of Broadway Dance (fully online, author), Dance Studies, Dance History, and Improvisation. Barbara taught Choreography for the Theater at Hofstra University and teaches master classes nationally. She was an assistant and substitute teacher in Musical Theatre Dance at the Steinhardt School at NYU. She also taught weekly Musical Theater Audition workshops to students in the vocal performance and musical theater programs at Steinhardt. Barbara was a faculty member at the American Academy of Dramatic Arts in New York City, where she developed curriculum; staged movement and combat for Academy Company plays; and taught Movement for Actors courses as well as musical theater and period movement workshops. Barbara is a guest lecturer at the Lee Strasberg Institute (ballet, jazz), NYU (ballet, jazz, musical-theater dance).

Barbara’s research area is critical thinking in dance education. She has presented her research and “Critical Pedagogy in Dance Technique Class” movement workshops at Harvard University, Hofstra University, Rutgers University, SUNY Brockport, Tisch School of the Arts and the Steinhardt School at New York University, and at the NDEO’s national conference. She was on the Board of the New York State Dance Education Association. Barbara was on the writing committee that synthesized, facilitated and wrote information for the NDEO “Vision Document for Dance 2050: The Future of Dance In Higher Education.”

28
Jun
2016

Outdoor Performance Stages Welcome Troupe to Share Favorite Works from Celebrated Repertory

FOR IMMEDIATE RELEASE
Press Contacts:
Kimberly Giannelli | Amber Henrie
In The Lights PR
Kimberly@inthelights.net
Amber@inthelights.net
Photos and video available on request

Union, NJ, June 20, 2016 — Carolyn Dorfman Dance, whose bold and dramatic works connect life and movement, celebrates dance across New York and New Jersey with multiple appearances all summer long. The company kicks off their summer performances, June 21, with the multicompany dance festival KoDaFe. They can also be seen at the 10th Annual Wave Rising Series, June 25-26, as well as SummerStage engagements at Rumsey Playfield with Complexions Contemporary Ballet, July 27, and East River Park, August 13. Dorfman’s troupe of ten dancers will conclude their summer season with an appearance at the Dance on the Lawn Festival at St. Luke’s Episcopal Church in Montclair, New Jersey, September 10.

“When temperatures start to rise,” says Carolyn Dorfman, artistic director of Carolyn Dorfman Dance, “people start moving slower. They relax and enjoy being outdoors. This is one of the best times to be a performer because the city offers so many opportunities for audiences to see dance up close, outdoors and under the sun and stars.”

Repertory to be performed during the summer season includes many crowd favorites, in order of performance: guest choreographer, Doug Elkin’s hilarious Narcoleptic Lovers; Journeys: A Triptych, a collection featuring Dorfman’s acclaimed works, My Father’s Solo, Hourglass and a solo excerpt from Portrait; WAVES, Dorfman’s new, sensation-based exploration of music and dance; and her iconic duet, Keystone.

CAROLYN DORFMAN DANCE SUMMER 2016

June 21 – Korean Dance Festival, “KoDaFe,” at Ailey Citigroup Theater, New York

Performing Narcoleptic Lovers
7:30 p.m.

June 25-26 – Wave Rising Series at 92Y Harkness Dance Center, New York

Performing My Father’s Solo, Hourglass and an excerpt from, Portrait.
Saturday at 9:00 p.m., Sunday at 2:00 p.m.

July 27 –SummerStage at Rumsey Playfield in Central Park, New York

Opening performance for Complexions Contemporary Ballet, performing WAVES— accompanied live with music by cellist Jessie Reagen Mann, human beat boxer and vocalist Pete List and recorder player Daphna Mor.
7:00 p.m

August 13 – SummerStage at East River Park Amphitheater, New York

Performing Narcoleptic Lovers, Keystone, and WAVES
7:00 p.m.

September 10 – Dance on the Lawn Festival, St. Luke’s Episcopal Church, Montclair, NJ

Performing WAVES
3:00 p.m.

SEASON REPERTORY DETAILS

WAVES (2015)
Choreography: Carolyn Dorfman
Composer: Jessie Reagen Mann, Pete List, Daphna Mor
Costumes: Anna-Alisa Belous
WAVES is a sensation-based exploration of music and dance featuring live music composed by cellist Jessie Reagen Mann, beat boxer and multi-instrumentalist Pete List, and recorder player Daphna Mor. Dorfman uses this eclectic and unusual grouping of artists to create new waves of sonic and movement possibilities.

Narcoleptic Lovers (2012)
Choreography: Doug Elkins, restaged by Fritha Pengelly
Music: Gavin Bryars, Mio Morales, Mozart, Urban Species, and Sinead O’Connor
Costumes: Anna-Alisa Belous

Narcoleptic Lovers is guest choreographer Doug Elkins’ electric and oft hilarious, full company work. Using his signature eclectic movement vocabulary, the work draws on modern, hip-hop, ballet and martial arts with an equally broad range of music – Mozart, hip-hop by Urban Species and spoken word and music by Sinead O’Connor and Lenny Bruce.

Hourglass (2012)
Choreography: Carolyn Dorfman
Music: Commissioned score by Jessie Reagen Mann
Soundscape: Bryan Noll
Costumes: Anna-Alisa Belous

Hourglass is a solo revealing a woman’s internal journey of wanting, waiting, anticipation, frustration, defeat, and finally, acceptance. It is set to a commissioned score by renowned cellist, Jesse Reagen Mann, with an enveloping electronic soundscape by Bryan Noll.

Keystone (2012)
Choreography: Carolyn Dorfman
Music: Rufus Wainwright, Louis Armstrong, and Jamie Randolph
Costumes: Anna-Alisa Belous

Keystone is a duet that explores the endurance of relationships and the concept of staying power in a world that continues to embrace fast digital communication that is not aligned with the human pulse or true intimacy.

My Father’s Solo, excerpt from Mayne Mentshn (2001)
Choreography: Carolyn Dorfman
Music: Composed, Arranged & Adapted by Greg Wall
Costumes: Russell Aubrey

Mayne Mentshn (My People), is a work that resonates from the very depths of Dorfman’s soul. Although she feels connected to every dance that she creates, never before has a work connected every facet of her being. With mind, body, spirit, both past and present, the creation of Mayne Mentshn was an inevitability for Dorfman, as she connected the past and present to define her path towards the future.

Portrait (1996)
Choreography: Carolyn Dorfman
Music: Jennifer Giering
Costumes: Russell Aubrey

In Portrait, five women dance the inner life of one woman. With its haunting, yet affirming score, the journey of creating this work reveals an astounding reality: “Balance in life is not a static repose or rest, but rather a shifting equilibrium within acceptable parameters.” Such is the life of a woman.

###

About Carolyn Dorfman Dance
Carolyn Dorfman Dance connects life and dance in bold, athletic and dramatic works by Carolyn Dorfman and nationally renowned choreographers. The company’s ten multi-ethnic and stunning dancers present high-energy and technically demanding dance that unleashes the powerful storytelling and imagery of its visionary creator. This distinctive combination takes audiences on intellectual and emotional journeys that ultimately illuminate and celebrate the human experience. The highly acclaimed ensemble is known for emotional resonance and artistic excellence in both performance and its interactions with audiences, students and community. For over 30 years, Carolyn Dorfman Dance has appeared at major theaters, dance festivals, universities, schools, museums and galleries regionally, nationally and internationally.

25
Apr
2016

Carolyn Dorfman Dance is auditioning for our 2016-17 Touring Season, including creation of new work, performance and teaching residencies.

  • Full-time, Part-time, and Apprentice Positions Available
  • Paid rehearsals, performance, and teaching
  • Non-union, 30+ week contract.
  • Rehearsals are held in NYC.
  • Legal work status required.

Seeking female dancers with strong modern dance technique, bold athleticism and theatrical range. Women should be between 5’2-5’7 tall. Minimum 2 years previous professional experience preferred. Dancers called back will be asked to perform a short solo.

The Company’s ten multi-ethnic and stunning dancers tap their unique talents to present high-energy and technically demanding dance that unleashes the powerful storytelling and imagery of its visionary creator.

AUDITION (Day 1):
Thursday, May 12, 2016
12:30pm-2:30pm or
3:30pm-5:30pm
Gina Gibney Dance Studios
890 Broadway, Studio 1
New York, NY 10003
AUDITION (Day 2):
Friday, May 13, 2016
Callbacks 12:30pm-5:00pm
 Gina Gibney Dance Studios
890 Broadway, Studio 1
New York, NY 10003

Dancers seen by appointment only. For an audition appointment, email: scathey@carolyndorfman.dance

(And provide the following: resume, headshot, email, phone, 1st & 2nd audition time slot preference, U.S. work status, and how you heard about the audition.)

Carolyn Dorfman Dance is an equal opportunity employer

14
Apr
2016

Carolyn Dorfman Dance is so grateful to our generous sponsors and patrons in helping us exceed our Gala Benefit fundraising goal. Thank you Gala Committee and Board of Trustees for your diligent support. Congratulations to Carolyn, the company and collaborating artists for a stellar performance. We’re still receiving accolades from audience members. Finally, I want to “high five” the superb office staff for executing a flawless event. None of this would have happened without “the village.”

THANK YOU ALL!

at-sig-9.29.11_whiteweb

Anita Thomas
Executive Director

Company Benefactors
Dr. Gregory Gallick, M.D. and Staff
Jeff and Leah Kronthal/Kronthal Family Foundation

Education Benefactors

Main Street Bank/North Star Partners
Betsy and Drew Vaden

Producer Sponsors

The Dietz Family

Performance Sponsors

Charles and Anne Marie Robertson
Gail and Clifford Schob, M.D./
Comprehensive Orthopaedics, P.A.

Artist Sponsors

Robin and Rusty Aubrey
Michele and John Scioscia/
Summit Physical Therapy

General Sponsors
Advanced Pain Care
Diane, Justin, and Marissa Ash
Drucker, Math, & Whitman, P.C.
Lynne and Elliot Glantz
Fern Gotfired, M.D. and Michael Dugan
Kathi R. Levin
Alan and Melanie Levitan
Steven Nehmer, M.D. and
Paige Albano, Esq.
Drs. Elaine and Thomas Pacicco
Joan & Dominique Paulin
Rachel and Jonathan Wilf

Exclusive Raffle Item Provided by Neiman Marcus Short Hills

 

~ Enjoy our Virtual Ad Journal –We Appreciate Your Generosity ~

31
Mar
2016

“Restaging Echad” is a two-part series taking you behind the scenes as the company restages one of Carolyn’s most iconic works for our 2016 Gala Benefit Performance.

Part 2 is written by dancer Jenny Gillan-Powell, and focuses on her experience learning Echad.

Part 1, by Associate Artistic Director and ‘Echad’ original cast member Jacqueline Dumas Albert, is available here.

Echad will be performed at NJPAC on April 8, 2016. Tickets are on sale now.

**********

It has been quite the journey to learn Echad this season with Carolyn Dorfman Dance. Our first rehearsal was back in October and Jacquie introduced us to the 9th company member of this piece… “The Wheel”. My first impressions of the wheel were: Ouch this hurts! Wow that metal is cold! Jeez that is sooo heavy! Holy moly I’m terrified! Why Carolyn… Whhhyyy?

Echad rehearsal

The opening section where we first interact with the wheel is know as “The Caravan”. This was one of the first sections we workshopped with Jacquie. I would say this was probably the most challenging section to master as so much of the flow and grace relies on where each dancers’ weight projects and balances on the wheel. The grips of how we all hold, and which specific rung we place our feet and hands on, is also super-important. My caravan movement is to hold on and connect my right side and back flip with the movement of the wheel as Katlyn catches me in my descent.

My initial thoughts while attempting my first backflip with the wheel were, “Wow, this feels like a really scary carnival ride with no seat belt.” I heard myself say, “never let go Jenny… never let go.” Luckily what goes around, comes around – so, I thankfully made it back down to solid ground in one piece. I felt a little shaken and dizzy but was glad to have that first attempt over with! That first week of rehearsals me and many other dancers developed black and blue bruises and scrapes all over from the wheel. Epsom salt baths were definitely needed on the weekend.

Needless to say, the more we rehearsed and all became acquainted with the wheel’s energy, personality (yes, personality), and movement, we learned that the wheel is consistent. It is us, the dancers, that needed to learn to dance with the wheel, and not against it.

Echad rehearsal

Over the past few months, as we prepare for the gala, each run of Echad begins to feel stronger. We are continuing to work with Carolyn on finding our performance and letting the human story shine through the movement. The physical rigor of Echad is grueling, so I’ve began additional cardio training such as swimming and running to help with my stamina. This piece has definitely brought us together as a stronger company and team. We are all trusting each other and becoming more attuned to little details that begin to create the magic and not just the choreography. I am so thankful for this opportunity to work with Carolyn, Jacquie, and the beautiful company dancers in the recreation of Echad! I am honored that this piece was selected for us this season, and I look forward to the performances ahead.

See you all at the gala on April 8th at NJPAC!

17
Mar
2016

On October 20, 2015, Carolyn gave a Tedx talk called The Maker and the Dance: An Inside View, where she took the audience inside the life and art of dance. We’re proud to be able to share the video of her talk.

In her talk, Carolyn explains her “palette” of tools, time, motion, and even the dancers bodies themselves. Evoking her own history and rich heritage as a the daughter of Holocaust survivors, Carolyn and her dancers take us inside the mind of the dancer and the choreographer as they bring stories to life through movement.

We hope you enjoy this special look into the process of creation!

17
Mar
2016

“Restaging Echad” is a two-part series taking you behind the scenes as the company restages one of Carolyn’s most iconic works for our 2016 Gala Benefit Performance. Part 1 is written by Associate Artistic Director and ‘Echad’ original cast member Jacqueline Dumas Albert as she sets the work on the current company.

Echad will be performed at NJPAC on April 8, 2016. Tickets are on sale now.

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It is super exciting to be bringing back into our repertory one of Carolyn’s most amazing works, Echad. Echad is one of the first pieces I learned as an understudy in the fall of 2002 and the first piece I performed as a full-time company member in the fall of 2003 (in 2 different roles). The company last performed this piece in 2008; and now, in 2016, we have an entirely new group of dancers excited and scared to dance with… the Wheel!

Echad

I believe this is the first time, since Carolyn returned from her hiatus in 1996, (double check year) that an entire repertory piece will be performed by a new cast with no senior members to anchor the ensemble from the inside. It’s also my first time setting an entire work on the company without also being one of the cast members and anchors. I have been setting excerpts of Echad on various student groups through the years (Ailey/Fordham, Newark Arts High, APA at Union County Votech for example) but it was a new challenge to set the full work in its pure form on the company.

APA Echad

Echad is a cast of 8 – 3 men and 5 women. To prepare for setting so many different tracks, I watch (over and over again!) our archival videos of various casts to ensure I have an accurate knowledge of the dance in its different incarnations. Each cast tends to have its own strengths and versions of counts or choreography that Carolyn makes to accommodate those strengths. Some casts may have more passion and instinct. Some casts may be cleaner technicians or more musically correct. For all of our repertory, we go to the original, premier cast videos for pureness of movement impulses – the “that’s what it’s supposed to mean or convey.” We tend to go to 2nd and 3rd cast videos to see the “cleaned” versions – usually cleaner canon counts, clearer footwork, etc…. Armed with our memory of creating the dance or performing it and setting it, Carolyn and I then look at the group of dancers in the room with us as we set the work and make adjustments if necessary based on their strengths as individuals and an ensemble to remain true to the original intent.

Echad Rehearsal 1

Setting a large company work like Echad ranges from my teaching exact movements and counts for the ensemble sections of the dance to the dancers learning solos/duets/trios from video and my shaping/fixing that material. We take meticulous written notes to help us hold on to important information since it may be several days to weeks in between Echad rehearsals as the season continues and other repertory and the creation of new work takes precedence. I still have some of my notes from 2002, which I use to help me in the process and share with the new dancers learning my roles.

Echad 2

I just realized that I was wrong – Echad actually has a cast of 9 – I forgot the Wheel! In all of Carolyn’s work that utilizes sets and props, they are so integral to the dance that the work could not be what it is without them. But in Echad, the prop transcends its inanimate state and becomes that 9th dancer. I can tell you from experience, the Wheel is the most challenging, unforgiving, unyielding but exciting partner with whom you can dance. For a dancer, learning movement can be relatively easy, but put that movement onto, inside of, or riding upon a 120 lb. aluminum wheel and you have a whole new challenge! It is partnering at its most extreme.

Echad rehearsal 2

The most difficult thing to set was the male solo in the middle of Echad that is the apex of the piece. The soloist begins by being dominated by the wheel, but quickly he begins to extricate himself from its confines to ultimately wrestle with and conquer it into submission. Carolyn created this solo from the improvisations of Jon Zimmerman, a long time company member who performed this piece for 8 years before his retirement from the company and relocation to Germany. Armed with the video footage and my years of working with and watching Jon, the men and I tackled the choreography. I can tell you there’s no better way to come back from maternity leave than to wrestle, flip, roll, and fly with a 120 lb. wheel! If Louie should be unable to perform it, I’ll be ready in the wings to jump in- Supermom to the rescue!

 

In the weeks ahead, we’ll continue to master the Wheel and Echad. And like our fans who have voiced their excitement for its return, I can’t wait to see Echad onstage at our NJPAC gala on April 8th, 2016.

7
Jan
2016

Celebrating its 33rd Season, Carolyn Dorfman Dance is New Jersey’s premiere modern dance company and is highly respected throughout the region and nation. Carolyn Dorfman Dance connects life and dance in bold, athletic and dramatic works by founder, artistic director Carolyn Dorfman and nationally renowned choreographers.

The company’s ten multi-ethnic and stunning dancers tap their unique talents to present high energy and technically demanding dance that unleashes the powerful storytelling and imagery of its visionary creator. The ensemble regularly appears at major theaters, dance festivals, universities, schools, museums and galleries regionally, nationally and internationally.

This is contemporary dance that moves you to think, feel, laugh, cry and engage.

Having recently revised our 3 year Strategic Plan for Fiscal Years 2016-2018, the company is poised for major growth and is in need of new board members from diverse racial, ethnic, age and gender backgrounds with the following skill sets: Marketing, Marketing Communications, Fundraising/Development, Finance/Banking, Project Management, Non-profit Program and Audience Development, and Technology/Media Arts.

Please contact Anita Thomas, Executive Director, for more information or email your resume/CV/bio to athomas@carolyndorfman.dance.

7
Oct
2015

Carolyn Dorfman Dance Creates New Work; Expands their Arts Education Footprint and Community Workshops; Awarded Citation of Excellence from the New Jersey State Council of Arts (NJSCA)

FOR IMMEDIATE RELEASE

Press Contacts:
Kimberly Giannelli | Amber Henrie
In The Lights PR
Kimberly@inthelights.net
Amber@inthelights.net
Photos and video available on request

NEW YORK, October 6, 2015 — Carolyn Dorfman Dance, whose bold and dramatic works connect life and movement, announces its impactful and dynamic 2015-2016 Season. Carolyn Dorfman Dance is kicking off the fall with a TedX Talk in Morristown, NJ on October 20, where Artistic Director Carolyn Dorfman and dancers will share the craft of dance making as Dorfman reveals her inspiration and artistic philosophy. On October 29, Dorfman will participate in the Dancemakers on Diversity panel, along with other diverse artistic directors whose companies are part of the New Jersey Performing Arts Center’s (NJPAC) dance series. On November 1, audiences are invited to join the company for a matinee performance at the Bickford Theatre. Come spring the company performs the powerful duet Keystone in DanceNOW! Miami’s concert celebrating Jose Limón on March 18—DanceNOW! Miami will perform Dorfman’s dramatic Odisea. Additionally, the company celebrates its annual Gala performance on April 8 at NJPAC with the world premiere of Dorfman’s newest work Traces. The New York premiere of Traces will be held at LaGuardia Performing Arts Center (LPAC) on April 16, Long Island City.

With a strong commitment to dance education, Carolyn Dorfman Dance teaches students of all levels, connecting movement and life in a curriculum that helps people learn new skills, explore their potential, and understand the world and each other better. A recent recipient of a Citation of Excellence Award from the NJSCA for the Arts Education Special Initiative Grant, the company will expand their residency programming to the McKinley School in New Brunswick and the Link Charter School in Newark. For the second year, Dorfman and the company continue as the lead dance company in residence for arts education at NJPAC, working year round with their Young Artists Institute. Additional residencies that are continuing are with New Jersey’s Rutgers University, the East Brunswick and New Brunswick Public School Districts. A new weeklong residency, including a school and public performance, is happening at the Taft School in Watertown, Connecticut in November.

“The motivation to keep creating lies in the versatile collection of dancers and collaborating artists who I have the privilege of working with each season,” comments Artistic Director Carolyn Dorfman. “With an increase in educational grant support, this season is able to offer creation, performance, and the opportunity to watch young artists flourish through our community teaching program. We look forward to further bridging our community work with the multi-level impact of our repertory on audiences around the globe.”

Dorfman presents the world premiere of Traces during the company’s annual Gala evening at NJPAC on April 8. With ten dancers and four musicians, Dorfman reunites her stellar team of artistic collaborators—commissioned electronic and acoustic score by Svjetlana Bukvich, video design by Kate Freer, technology development by Dave Tennent, costume design by Anna-Alisa Belous, and new team members—set design by Ben Hobbs, and lighting design by Marika Kent. Traces will occur both on stage and in the audience space. Drawing on her multi-ethnic company members, as well as audience members from different venues for source material, Traces juxtaposes abstract images with narrative elements that shift from the individual to the collective, the personal to the global, and the inner to external natural worlds. Images, music, and text will be interwoven with the choreography to transport audiences through time, location and purpose

Other repertory to be performed during the season includes: Dorfman’s popular Echad (One), about the power of one community and featuring an iconic 120 lbs., 8- foot diameter, aluminum wheel; Under My Skin, a duet that chronicles the growth of a relationship; excerpts from Dorfman’s signature work Mayne Mentshn; latest work WAVES, a sensation-based exploration of music and dance; and a moving duet Keystone.

The company is happy to be joining the roster of Sheffield Global Arts Management, New York City. And proud to welcome two new board members Asha Ganesh, CPA at Withum, Smith and Brown and Fran Sullivan, Editor of TAPinto.net.

CAROLYN DORFMAN DANCE 2015-2016 SEASON CALENDAR HIGHLIGHTS
October 20 – TedX Talk in Morristown, NJ, 1:00 p.m.
Performing My Father’s Solo and Under My Skin (excerpt)
October 29 – NJPAC Dancemakers on Diversity Panel, Chase Room, Newark, NJ, 7:00 p.m.
November 1 – Bickford Theatre performance, Morristown, NJ, 2:00 p.m.
Performing WAVES, Klezmer Sketch and Under My Skin
November 20 – The Taft School Performance, Bingham Auditorium, Watertown, CT, 7:00 p.m.
Performing Under My Skin, Klezmer Sketch and Doug Elkins’ Narcoleptic Lovers
December 9 – Performance at Academy for Performing Arts at Union County Vo. Tech, Scotch Plains, NJ, 7:00 p.m.
Performing excerpt of Waves and Echad
March 18 – DanceNOW! Miami performance, Aventura Arts & Cultural Center, 8:00 p.m.
Dance NOW! Miami artists to perform Dorfman’s Odisea; Dorman lead dancers Jacqueline Dumas Albert and Louie Marin will perform Keystone
April 8 – NJPAC Performance and Gala Benefit, Chase Room reception, Newark, NJ, 6:30 p.m.; Victoria Theater performance, 8:00 p.m.
Premiere of Traces – also performing Echad and Keystone
April 16 – LaGuardia Performing Arts Center (LPAC) performance, Long Island City, NY, 8:00 p.m.
Performing Traces, WAVES and Keystone

SEASON REPERTORY DETAILS

Traces (2016)
Choreography: Carolyn Dorfman
Composer: Svjetlana Bukvich
Lighting: Marika Kent
Video/Projection Design: Kate Freer (IMA)
Costumes: Anna-Alisa Belous
Set Design: Ben Hobbs

Traces explores the forces that create and change us across time, distance and circumstance, and features an electro-acoustic score encompassing a vast range of musical vocabulary. Images, music, and text interweave with choreography to transport audiences through time, location and purpose. The work is driven by a strong sense of immediacy and connection.

WAVES (2015)
Choreography: Carolyn Dorfman
Composer: Jessie Reagen Mann, Pete List, Daphna Mor
Lighting: Marika Kent
Costumes: Anna-Alisa Belous
Length: 25 minutes

WAVES is a sensation-based exploration of music and dance featuring live music composed by cellist Jessie Reagen Mann, beat boxer and multi-instrumentalist Pete List, and recorder player Daphna Mor. Dorfman uses this eclectic and unusual grouping of artists to create new waves of sonic and movement possibilities.

Keystone (2012)
Choreography: Carolyn Dorfman
Music: Rufus Wainwright, Louis Armstrong, and Jamie Randolph
Original Lighting: Simon Cleveland
Costumes: Anna-Alisa Belous
Length: 10 minutes

Keystone is a duet that explores the endurance of relationships and the concept of staying power in a world that continues to embrace fast digital communication that is not aligned with the human pulse or true intimacy.

Narcoleptic Lovers (2012)

Choreography: Doug Elkins, restaged by Fritha Pengelly
Music: Gavin Bryars, Mio Morales, Mozart, Urban Species, and Sinead O’Connor
Costumes: Anna-Alisa Belous

Narcoleptic Lovers is guest choreographer Doug Elkins’ electric and oft hilarious, full company work. Using his signature eclectic movement vocabulary, the work draws on modern, hip-hop, ballet and martial arts with an equally broad range of music – Mozart, hip-hop by Urban Species and spoken word and music by Sinead O’Connor and Lenny Bruce.

Odisea (2004)
Choreography: Carolyn Dorfman
Music: Greg Wall and Cecelia Margules
Original Lighting: Sean Perry
Costumes: Katherine Winter
Length: 12 Minutes

With Odisea, choreographer Carolyn Dorfman continued her explorations of the Jewish legacy. Commissioned by Jewish Heritage New York and premiering at the South Street Seaport in NYC (September 12, 2004) the work chronicles the physical, emotional and spiritual journey of twenty-three Jews leaving persecution in Recife, Brazil in 1654 and their journey and ultimate landing on American soil in New Amsterdam (New York City). With music by Greg Wall and Cecelia Margules, the music blends elements of Jewish liturgy and musical legacy.

Echad (One) (2002)
Choreography: Carolyn Dorfman
Music composition/arrangement/adaptation: Greg Wall
Original Lighting and Set Design by John Evans
Costumes: Russell Aubrey
Length: 32 Minutes

Dorfman’s popular work featuring an iconic 120 lb, 8-foot diameter, aluminum wheel. Echad, the Hebrew word for “one” refers to the power of one community; the uniqueness or oneness of each individual and the delicate balance between the two, that is the essence of our humanity.

Mayne Mentshn (2001)
Choreography: Carolyn Dorfman
Music Composed, Arranged & Adapted: Greg Wall
Original Lighting and Set Design: John Evans
Costumes: Russell Aubrey
Masks: Grigory Gurevich

Dorfman’s signature work explores the lives of her parents, whom are both Holocaust survivors. Excerpts from Act 1: The Klezmer Sketch and Act 2: American Dream will be performed throughout the season.

Under My Skin (1999)
Choreography: Carolyn Dorfman
Music and Lyrics: Jennifer Giering
Original Lighting: Paul Hudson
Costumes: Russell Aubrey
Length: 19 minutes

An evocative and sensuous duet that explores the way people invest in their relationships with bits of themselves and how positive and negative experiences always lead to growth.

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About Carolyn Dorfman Dance
Carolyn Dorfman Dance connects life and dance in bold, athletic and dramatic works by Carolyn Dorfman and nationally renowned choreographers. The company’s ten multi-ethnic and stunning dancers present high-energy and technically demanding dance that unleashes the powerful storytelling and imagery of its visionary creator. This distinctive combination takes audiences on intellectual and emotional journeys that ultimately illuminate and celebrate the human experience. The highly acclaimed ensemble is known for emotional resonance and artistic excellence in both performance and its interactions with audiences, students and community. For over 30 years, Carolyn Dorfman Dance has appeared at major theaters, dance festivals, universities, schools, museums and galleries regionally, nationally and internationally.

17
Aug
2015

Another great NJ SummerDance intensive has come and gone, and we are grateful for a wonderful week of dance, reflection, and exploration.

Whether it was in technique class, repertory, or the master classes with Julie Tice, Talu Green and Jeffrey Page, Danielle Conner, and Eddie Stockton, we loved having the chance to work with an incredible group of students.

Thank you for a great week, we can’t wait to dance with you again next year!

 

Special Recognition for our generous donors who provided funding for NJ SummerDance Scholarships:

Debbie and Jay Berez, Edith and Richard Dunlap, Eric Friedman, Kathi R. Levin, Alan and Melanie Levitan, Mark and Peg Reynolds, and Sheldon and Rhoda Whitman.

Carolyn Dorfman Dance would like to also extend a SPECIAL THANK YOU to our corporate sponsor, Stop&Shop, New York Metro Division and Super Stop&Shop of Union for their consistent support since 2011,

Stop & Shop

as well as ShopRite and Target of Union Township for providing refreshments.

Shop Rite Target logo

We’re are so grateful to the following people for their consistent support of Carolyn Dorfman Dance and NJ SummerDance 2015:

Kean University General Administration Staff especially Luis Martinez, Associate Professor of Physical Education, Recreation and Health and Artistic Director of the Kean Dance Theater; Jessica Adams, Department Chair; Brian Treanor, Director of Scholarship Services (for providing Chaison Scholarships); Valerie Winslow, Director of Conference and Event Services; Gina Lampasona, Managing Assistant Director, Conference and Event Services;

Summer Interns Naomi Freeman and Kwame NTI;

Kevin Cummings, President/CEO of Investors Bank for sponsoring Kwame;

and the Carolyn Dorfman Dance Board of Trustees.

6
Aug
2015

We’re excited to announce our 2015 Guest Artists for NJ SummerDance. Guest Artists Master Classes are included in full registration, as well as at a drop in rate of $30/each. Email Stephanie Cathey, scathey@carolyndorfman.dance, to sign up and confirm availability. Click here to learn more about NJ SummerDance.

Talu Green and Jeffrey Page, “Exploring the Traditions of Mali through Drum & Dance”

Tuesday, August 11 at 3:00 – 5:00 p.m.

Talu and Jeffrey will be teaching a joint Master Class with drumming and dancing. In this class, students will be given a series of dance movements, from the West African Region, specifically Mali. Accompanied by a live musician, students will be able to hear and grasp the relationship of music and dance through traditional movement. It will be fun, energetic and informative.

TaluGreenHeadshotRasaan “Talu” Green is a musician and actor who was born and raised in Brooklyn, NY. His parents provided him with a musical foundation at a very young age. At 5 years old, Talu traveled to West Africa where he adopted the Djembe drum as his chosen instrument. It moved him to continue honing his skills, affording him the opportunity to perform with top percussion and dance companies such as Calabash Drum and Dance, Ayoluwa Drum and Dance, Vision In Peace, Indoda Entsha, Creative Outlet and Bambara Drum and Dance. Talu received his BFA in Music with Honors from Long Island University, Brooklyn Campus.

Upon graduating, Talu joined the cast of the Tony award winning show Fela! on Broadway. He has held the Principal percussionist role both nationally and internationally throughout the productions run. In 2014, Talu teamed up with recording artist Ms. Lauryn Hill, touring and recording as her percussionist. He started his own band, TaluDjembe & the Soundologists- collaborating with kindred artists, embarking on new musical sounds and beyond, under his label Lion Falcon Entertainment.

Jeffrey Page

Jeffrey Page is the winner of the 2011 MTV “Best Choreography” VMA for Beyoncé’s “Run the World (Girls)” video and has received an Emmy Nomination for “Outstanding Choreography in Television” for the opening sequence of the 36th Annual NAACP Image Awards Ceremony on Fox Television.

For over 8 years Mr. Page has been a part of Beyoncé’s creative team and recently his work was featured on the Mrs. Carter Show World Tour and HBO special. In addition to his work on Fox Television’s So You Think You Can Dance, he has created sequences for The Billboard Awards, World Music Awards, BET Awards and MTV Awards to name just a few. He was a member of the original award winning Broadway cast of Fela! and was choreographer for the hit Broadway musical ‘Violet’ starring Sutton Foster.

Mr. Page has most recently directed and choreographed the all-Japanese version of Memphis, which won the Tony Award for Best Musical while on Broadway, and is currently running and receiving glowing reviews in Tokyo, Japan. In addition to being an authority figure on a wide array of West African dance techniques and a dance ethnologist with scholarly based studies in the African diaspora, for the past 2 years Mr. Jeffrey Page has been a judge and on-air personality on one of Nigeria’s top rated nationally and internationally syndicated television programs, Maltina Dance All.

4
Aug
2015

We’re excited to announce our 2015 Guest Artists for NJ SummerDance.

Guest Artists Master Classes are included in full registration, as well as at a drop in rate of $30/each. Email Stephanie Cathey, scathey@carolyndorfman.dance, to sign up and confirm availability. Click here to learn more about NJ SummerDance.

Danielle Conner, Injury Prevention and Recovery

Thursday, August 13 at 9:30 – 11:00 a.m.

danielle-042Danielle Conner received her BFA from the University of the Arts. After performing professionally for 15 years, Danielle became certified in Pilates. In 2007, Danielle became the resident Pilates instructor for Cirque du Soleil working predominately on injury prevention and recovery. In 2009, Danielle moved back to New Jersey and opened up Pilates Design Studio where she continues to work on the Cirque du Soleil shows and with clients who suffer from chronic pain and injury. Danielle recently became licensed in BioCored Corrective X and Suspension X as a Master Trainer and Teacher Trainer to other instructors.

2
Aug
2015

We’re excited to announce our 2015 Guest Artists for NJ SummerDance.

Guest Artists Master Classes are included in full registration, as well as at a drop in rate of $30/each. Email Stephanie Cathey, scathey@carolyndorfman.dance, to sign up and confirm availability. Click here to learn more about NJ SummerDance.

Julie Tice, Paul Taylor Technique and Repertory

Thursday, August 13 at 3:00 – 5:00 p.m.

Julie TiceJulie Tice grew up in Petersburg, Illinois and danced with the Springfield Ballet Company. She graduated with a BDA from the University of Michigan with honors where she was later awarded an Emerging Artist award in 2007. She joined Taylor 2 in 1999 and then went on to dance with the Paul Taylor Dance Company from 2000-2010. She has toured and performed all over the world including 15 different countries and all fifty states. Julie can be seen on the PBS and BBC live recording with the Paul Taylor Dance Company titled ”Acts of Ardor.” She can also be seen as one of the dancers in the book “Meet the Dancers” by Amy Nathan. Julie has been a guest artist at the University of Michigan and Illinois State University. She continues to choreograph and teach master classes and workshops at universities and festivals throughout the U.S. She is also a certified Pilates instructor and has her own practice in New York City. She earned her MFA from the University of Wisconsin-Milwaukee where she was awarded a Distinguished Graduate Fellowship.

30
Jul
2015

We’re excited to introduce our 2015 Guest Artists for NJ SummerDance.

Guest Artists Master Classes are included in full registration, as well as at a drop in rate of $30/each. Email Stephanie Cathey, scathey@carolyndorfman.dance, to sign up and confirm availability. Click here to learn more about NJ SummerDance.

Eddie Stockton, House Dance

Wednesday, August 12 at 3:00 – 5:00 p.m.

Eddie StocktonWorking professionally for over 25 years, Eddie Stockton received his formal training as a student of the (Alvin) Ailey and Martha Graham Schools, and NYC’s High School of Performing Arts. He would continued his studies at the Theater and Musical Theatre Department’s of Alabama State and Howard Universities. He joined his first dance company, (NJ)Center Dance Collective, while only a junior in high school. His career has since been enriched with the experience of working for several companies and choreographers including Philadanco, Kevin Iega Jeff, Dwight Rhoden, DC Shakespeare Theatre, Bill T. Jones, Nai-ni Chen, Nathan Trice, and many more. Teaching dance since a teenager, Eddie is now a 15 year instructor at The Ailey School (Jazz & House) and 9th year founding member of Brooklyn’s Puerelements (Modern/Jazz/Ballet). The desire to share information has drawn him across the country and the globe doing residencies, workshops, and occasional performances. He’s worked in Greece, Poland, France, and makes regular visits to Germany and Italy. He is proud to have twice been invited to sit on the panel at Guadeloupe’ Regional Dance Competition and once for ‘Expression’ National Dance Competition in Florence, Italy. As a choreographer, Eddie’s ability to instruct almost any level dancer allows him to set choreography in many capacities. He has set works for young school kids and dance groups, college and off Broadway musicals, and professional dance companies. His most recent contribution was as guest choreographer for 2014′ 5th Annual Stars Of New York Dance. In 2009, along with partner Sarah Collins, Eddie started MIXTape, a choreographer’ showcase. The next two years produced three successful MIXTape’s before both taking a hiatus to pursue other endeavors. One of those endeavors will be the debut of his own contemporary dance company, “dance es” in 2015. He is grateful to have his passion as his profession and looks forward to continuing to share his choreographic vision, music, and dance all over the world.

 

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